![\"thedevilsbloodcover\"](\"http:\/\/artnroll.net\/home\/wp-content\/uploads\/2012\/01\/thedevilsbloodcover-300x300.jpg\")
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ANR :\u00a0Vous avez enregistr\u00e9 \u00ab\u00a0The thousandfold Epicentre\u00a0\u00bb dans le m\u00eame studio que \u00ab\u00a0The time of no time evermore\u00a0\u00bb pourtant l’album semble sonner vraiment diff\u00e9remment.\u00a0L’ambiance y est bien plus mystique et progressive. L’ajout de nappes de synth\u00e9s \u00e9tait-il voulu et r\u00e9fl\u00e9chi lors de la composition des morceaux ou \u00e0 t-il \u00e9t\u00e9 d\u00e9cid\u00e9 plus tard durant l’enregistrement pour accentuer le cot\u00e9 ambiant et malsain ?<\/b><\/p>\n
Selim :\u00a0<\/b>Quel serait l\u2019int\u00e9r\u00eat d’enregistrer\u00a0quelque chose avec\u00a0le m\u00eame son qu\u2019avant\u00a0?\u00a0Il me semblerait logique que\u00a0l’artiste\u00a0cherche toujours\u00a0la meilleure fa\u00e7on\u00a0d\u2019exprimer son inspiration.\u00a0Nous avons toujours utilis\u00e9\u00a0des synth\u00e9tiseurs et des\u00a0claviers\u00a0donc ce n\u2019est pas nouveau.<\/p>\n
ANR :\u00a0L’album semble nettement moins accessible que \u00ab\u00a0The time of no time evermore\u00a0\u00bb, plus progressif, moins direct peut \u00eatre. Justement plus dans la lign\u00e9 du dernier magnifique morceau du pr\u00e9c\u00e8dent album \u00ab\u00a0The anti-kosmic magic, \u00e9tait-ce au final voulu de conclure sur ce morceau, pour amener vers l’album suivant ? Cependant \u00ab\u00a0The thousandfold epicentre\u00a0\u00bb y est plus riche \u00e0 tous les points, comment expliquez-vous cela ?<\/b><\/p>\n
Selim :\u00a0<\/b>Evolution.\u00a0Nous avons grandi\u00a0en m\u00eame temps que\u00a0l\u2019\u00e9criture de ce disque.\u00a0Il repr\u00e9sente o\u00f9\u00a0nous en sommes maintenant.<\/p>\n
ANR :\u00a0\u00ab\u00a0The Thousandfold Epicentre\u00a0\u00bb \u00e0 la lourde tache de succ\u00e9der \u00e0 \u00ab\u00a0The time of no time evermore\u00a0\u00bb avez vous ressenti plus de pression que par le pass\u00e9 ?<\/b><\/p>\n
Selim :\u00a0<\/b>Non.\u00a0Je ne ressens aucune\u00a0pression quand il s’agit de\u00a0cr\u00e9er\u00a0Je suis persuad\u00e9 que\u00a0La Voix\u00a0va me\u00a0trouver et\u00a0que je vais\u00a0\u00eatre capable de bien interpr\u00e9ter.<\/p>\n
ANR :\u00a0Les morceaux ont tous \u00e9t\u00e9 compos\u00e9s apr\u00e8s \u00ab\u00a0The time of no time evermore\u00a0\u00bb ou avez vous r\u00e9utilis\u00e9 du vieux mat\u00e9riel? \u00a0On remarque que deux ou trois morceaux auraient tr\u00e8s bien pu figurer sur l’album pr\u00e9c\u00e9dant.<\/b><\/p>\n
Selim :\u00a0<\/b>Toutes les\u00a0chansons ont \u00e9t\u00e9 \u00e9crites\u00a0de Janvier 2010\u00a0jusqu’\u00e0 Novembre\u00a02010.<\/p>\n
ANR :\u00a0Quels sont les th\u00e8mes \u00e9voqu\u00e9s dans \u00ab\u00a0The thousandfold Epicentre\u00a0\u00bb. Ou puisez-vous votre inspiration, dans la litt\u00e9rature, l’art, l’actualit\u00e9, la science peut-\u00eatre ?<\/b><\/p>\n
Selim :\u00a0<\/b>Mort.\u00a0Chaos.\u00a0Satan.\u00a0Ce sont les\u00a0sujets, la raison de\u00a0notre existence, notre\u00a0inspiration et\u00a0le total\u00a0de notre \u00eatre.<\/p>\n
ANR :\u00a0D’ailleurs les illustrations du livret semble justement se rapprocher de cette notion de chaos, les illustrations y sont d\u00e9sordonn\u00e9es, inqui\u00e9tantes, dissym\u00e9triques, aviez vous une id\u00e9e pr\u00e9cise de ce \u00e0 quoi devait ressembler le livret ?<\/b><\/p>\n
Selim :\u00a0<\/b>Non, nous\u00a0laissons cela\u00a0\u00e0 l’artiste.\u00a0Nous lui avons donn\u00e9\u00a0la musique\u00a0et les\u00a0<\/b>mots,\u00a0son interpr\u00e9tation est\u00a0ce que vous\u00a0pouvez voir sur\u00a0le disque.<\/p>\n
ANR :\u00a0La musique est-elle votre seul et unique moyen d’exprimer votre vision des choses \u00e0 toi et \u00e0 ta soeur ?<\/b><\/p>\n
Selim :\u00a0<\/b>Non, mais\u00a0c’est\u00a0juste\u00a0la fa\u00e7on dont\u00a0je me sens\u00a0plus \u00e0 l’aise.\u00a0La musique est une\u00a0langue, mon\u00a0coeur parle\u00a0et mon \u00e2me comprend.<\/p>\n
ANR :\u00a0Le 2 d\u00e9cembre, vous \u00e9tiez en concert \u00e0 Paris, avez vous bien conclu votre rituel \u00e0 festoyer ?<\/b>
\nSelim :\u00a0<\/b>Paris est\u00a0toujours un\u00a0bon endroit, surtout\u00a0quand il s’agit de\u00a0promouvoir\u00a0le chaos\u00a0et la confusion.\u00a0La ville\u00a0est vivante avec\u00a0ces choses.<\/p>\n
ANR :\u00a0Comment per\u00e7ois-tu l’avenir de The devil’s blood et de son \u00ab\u00a0art\u00a0\u00bb ? L’art puisant sa force dans le renouvellement…<\/b><\/p>\n
Selim :\u00a0<\/b>Pas de\u00a0plans futurs.\u00a0Nous allons\u00a0naviguer sur ces\u00a0mers\u00a0jusqu’\u00e0 atteindre\u00a0une escale.\u00a0Tout ce qui\u00a0va se passer\u00a0le long du chemin, c’est l’aventure.<\/p>\n
Merci Selim<\/p>\n
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Version originale\u00a0:<\/p>\n
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ANR : You recorded \u00a0\u00bb the thousand fold epicentre\u00a0\u00bb in the same studio that \u00ab\u00a0the time of no time evermore \u00ab\u00a0but the album sounds very differently. The atmosphere is more mystic and progressive. Adding synthesizer was it wanted and be reflected during the composition of the songs or has it be decided later during the recording session to accentuate the surrounding and the unsound mind\u2019s side ?<\/b>
\nSelim :<\/b>\u00a0What would be the point in recording something with the same sound as our previous works? It would seem logical to me that an artist is always striving for the best way he can speak out his Holy Inspiration. We have always used synthesizers and keyboards so that is hardly something we are new to.<\/p>\n
ANR : the album seems to be clearly less accessible than \u00a0\u00bb the time of no time evermore\u00a0\u00bb, more progressive, maybe less direct, precisely more in the continuity of the last amazing song of the last album \u00ab\u00a0The antikosmic magic\u00a0\u00bb was it finally wanted to end with this song to introduce the next album? However \u201cThe thousandfold epicentre\u00a0\u00bb is more complete at every point, how do you explain it ?<\/b>
\nSelim :<\/b>\u00a0Evolution. We have grown in the time it took me to write the record. This is where we are now.<\/p>\n
ANR : \u00ab\u00a0The thousandfold epicentre\u00a0\u00bb has the difficult task to succeed at \u00ab\u00a0The time of no time evermore\u00a0\u00bb, did you feel more pressure that in the past ?<\/b>
\nSelim :<\/b>\u00a0No. I feel no pressure what so ever when it comes to creating. I am confident that The Voice will find me and that I will be able to interpret in the correct way.<\/p>\n
ANR :<\/b>\u00a0were The songs all composed after \u00ab\u00a0The time of no time evermore\u00a0\u00bb or did you used old songs that were set aside we notice that 2 or 3 songs could have appeared in the previous album ?<\/b>
\nSelim :<\/b>\u00a0All songs were written from January 2010 until November of 2010.<\/p>\n
ANR : What are the topics\/themes mentioned in \u00ab\u00a0The thousandfold epicentre\u00a0\u00bb. Where do you get your inspiration? In literature ? Art ? In the news ? Science maybe ?<\/b>
\nSelim :<\/b>\u00a0Death. Chaos. Satan. These are the topics, the reason for our existence, our inspiration and the total of our being.<\/p>\n
ANR : Moreover, the illustrations of the booklet seems to get closer to the notion of chaos, the illustrations are disordered\/untidy, worrying, shapeless, did you have a clear idea of what the booklet should look like ?<\/b>
\nSelim :<\/b>\u00a0No. We left that to the artist. We gave him the music and the words and his interpretation of these is what you can hear on the record.<\/p>\n
ANR : Is the music the only way to express yourself about your visions of things to you and your sister ?<\/b>
\nSelim :<\/b>\u00a0No, but is the way I feel most comfortable with. Music is the language my heart speaks and my soul understand.<\/p>\n
ANR : on the 2nd of December you played\/performed in\u00a0Paris, did you enjoy your partying ritual?<\/b>
\nSelim :<\/b>\u00a0Paris\u00a0is always a good place to be, especially when it comes to furthering chaos and confusion. The city is alive with these things.<\/p>\n
ANR :\u00a0<\/b>How do you perceive the future of\u00a0 devil’s blood and his art? Art draws its strength in the renewal?<\/b>
\nSelim :<\/b>\u00a0No future plans. We shall sail these seas until we reach a port of call. Everything that will happen along the way is the adventure.<\/p>\n
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Thank you Selim<\/p>\n
ByNico<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":" ANR :\u00a0Vous avez enregistr\u00e9 \u00ab\u00a0The thousandfold Epicentre\u00a0\u00bb dans le m\u00eame studio que \u00ab\u00a0The time of no time evermore\u00a0\u00bb pourtant l’album semble sonner vraiment diff\u00e9remment.\u00a0L’ambiance y est bien plus mystique et progressive. L’ajout de nappes de synth\u00e9s \u00e9tait-il voulu et r\u00e9fl\u00e9chi lors de la composition des morceaux ou \u00e0 t-il \u00e9t\u00e9 d\u00e9cid\u00e9 plus tard durant l’enregistrement pour accentuer le cot\u00e9 ambiant et malsain ? Selim :\u00a0Quel serait l\u2019int\u00e9r\u00eat d’enregistrer\u00a0quelque chose avec\u00a0le m\u00eame son qu\u2019avant\u00a0?\u00a0Il me semblerait logique que\u00a0l’artiste\u00a0cherche toujours\u00a0la meilleure fa\u00e7on\u00a0d\u2019exprimer son inspiration.\u00a0Nous avons toujours utilis\u00e9\u00a0des synth\u00e9tiseurs et des\u00a0claviers\u00a0donc ce n\u2019est pas nouveau. ANR :\u00a0L’album semble nettement moins accessible […]<\/p>\n","protected":false},"author":1,"featured_media":1063,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[3],"tags":[287],"class_list":["post-885","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","tag-devils-blood"],"yoast_head":"\n