{"id":6317,"date":"2015-04-21T00:26:19","date_gmt":"2015-04-20T22:26:19","guid":{"rendered":"http:\/\/www.artnroll.net\/home\/?p=6317"},"modified":"2015-04-21T00:26:19","modified_gmt":"2015-04-20T22:26:19","slug":"satyricon-the-dawn-of-a-new-age-2015-6-avril-la-machine-paris","status":"publish","type":"post","link":"https:\/\/www.artnroll.net\/home\/?p=6317","title":{"rendered":"Satyricon \u00ab The Dawn Of A New Age 2015 \u00bb, 6 avril, La Machine, Paris"},"content":{"rendered":"

\"SATYRICON\"<\/a>E<\/b>n ce lundi de P\u00e2ques, je m’appr\u00eate \u00e0 assister \u00e0 une messe occulte dans les murs de la machine, qui accueille Satyricon ce soir. En raison d’un incident sur la ligne 13 du m\u00e9tro parisien et d’un running order sur Facebook un peu trompeur, je n’arrive malheureusement pas \u00e0 l’heure, sacril\u00e8ge\u00a0! Je loupe donc une grande partie du set de Oslo Faenskap, mais le peu que j’en vois ne m’\u00e9meut pas vraiment.<\/p>\n

Le deuxi\u00e8me groupe, Vredehammer, met un temps infini \u00e0 s’installer, le batteur semble avoir un souci mat\u00e9riel. Sur le premier titre, la voix du chanteur est presque inaudible. Mais tout rentre dans l’ordre et les Norv\u00e9giens peuvent montrer de quoi ils sont capables.<\/p>\n

Le chanteur a des allures de biker avec sa chemise aux manches coup\u00e9es sur gros biceps tatou\u00e9s, sa queue de cheval gomin\u00e9e et son bouc. Il est arc-bout\u00e9 sur son pied de micro plac\u00e9 bien bas.<\/p>\n

Leur titre \u00ab\u00a0Sacrifice\u00a0\u00bb, nous explique-t-il, est une ode au headbanging, et, tout en s’excusant de trinquer \u00e0 l’eau, il nous invite \u00e0 nous secouer les vert\u00e8bres. Leur set se termine un peu trop vite \u00e0 mon go\u00fbt, nous donnant juste un aper\u00e7u de la qualit\u00e9 de leur son.<\/p>\n

La pr\u00e9paration de la sc\u00e8ne pour Satyricon est longue, tr\u00e8s longue… On a le temps d’admirer la monstrueuse batterie avec environ 150 futs, surmont\u00e9e de belles cornes bien d\u00e9moniaques. La toile de fond est orn\u00e9e d’un vol de corbeaux. Pour tromper mon ennui, je fais un petit point public\u00a0: des m\u00e9talleux en grand nombre, quelques minets, des filles qui ne d\u00e9pareraient pas en soir\u00e9e f\u00e9tish, d’autres semblent tout droit sorties d’un bar de bikers.<\/p>\n

\"SATYRICON\"<\/a>
\nLa balance du synth\u00e9 \u00e9voque furieusement Vang\u00e9lis. Et enfin\u00a0! Le set de Satyricon commence\u00a0! Beaucoup d’appareils photos qui se r\u00e9galeront de beaucoup d’effets stroboscopiques et d’effets de lights. La foule reprend en choeur \u00a0\u00ab\u00a0Now, diabolical\u00a0!\u00a0\u00bb et commence \u00e0 prendre vie. \u00ab\u00a0Black Crow on a Tombstone\u00a0\u00bb est mis en lumi\u00e8re fa\u00e7on film d’horreur avec un vert glauque et un rouge sanglant. Sur \u00ab\u00a0Filthgrinder\u00a0\u00bb c’est le retour des strobos infernaux. Un solo de clavier et son \u00e9clairage bleu indigo offre un court r\u00e9pit \u00e0 mes mirettes.<\/p>\n

Sur quelques titres Satyr compl\u00e8te son chant par son jeu de guitare, tandis que Frost enchaine d’impressionnant headbang\u00a0! Le clavier, lui, bouge \u00e0 peine.<\/p>\n

Satyricon nous gratifie d’un long set tr\u00e8s th\u00e9\u00e2tral, en trois actes, qui va crescendo. \u00ab\u00a0Die by my hand \u00bb semble en \u00eatre l’apoth\u00e9ose, mais non, la fin n’est pas arriv\u00e9e\u00a0! Satyr nous offre une petite confession\u00a0: il n’a pas fait de la musique pour \u00eatre c\u00e9l\u00e8bre, il ne recherche pas la gloire, il veut juste composer des albums. Et justement, il en \u00e9crit un en ce moment et nous en donne \u00e0 entendre les pr\u00e9mices. Tr\u00e8s int\u00e9ressant d’entendre les germes de ce qui formera un nouvel album\u00a0!<\/p>\n

Le show se termine par un rappel et deux titres, \u00ab Fuel \u00bb et \u00ab King\u00bb, que le public entonne comme un seul homme. Satyr nous remercie d’un \u00ab\u00a0Good job Paris\u00a0!\u00a0\u00bb et nous pouvons rentrer dans nos p\u00e9nates, immortalis\u00e9s en vid\u00e9o, puisque ce concert a \u00e9t\u00e9 enregistr\u00e9.<\/p>\n

\"SATYRICON\"<\/a><\/p>\n

[simpleviewer gallery_id=\u00a0\u00bb90″]<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

En ce lundi de P\u00e2ques, je m’appr\u00eate \u00e0 assister \u00e0 une messe occulte dans les murs de la machine, qui accueille Satyricon ce soir. En raison d’un incident sur la ligne 13 du m\u00e9tro parisien et d’un running order sur Facebook un peu trompeur, je n’arrive malheureusement pas \u00e0 l’heure, sacril\u00e8ge\u00a0! Je loupe donc une grande partie du set de Oslo Faenskap, mais le peu que j’en vois ne m’\u00e9meut pas vraiment. Le deuxi\u00e8me groupe, Vredehammer, met un temps infini \u00e0 s’installer, le batteur semble avoir un souci mat\u00e9riel. Sur le premier titre, la voix du chanteur est presque inaudible. […]<\/p>\n","protected":false},"author":2,"featured_media":6341,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[2],"tags":[1057],"class_list":["post-6317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live-reports","tag-satyricon"],"yoast_head":"\nSatyricon \u00ab The Dawn Of A New Age 2015 \u00bb, 6 avril, La Machine, Paris - Art'n'Roll Webzine<\/title>\n<meta name=\"description\" content=\"Live report du concert de Satyricon \u00e0 la machine du moulin rouge le 6 avril 2015\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.artnroll.net\/home\/?p=6317\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Satyricon \u00ab The Dawn Of A New Age 2015 \u00bb, 6 avril, La Machine, Paris - 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