{"id":4314,"date":"2014-04-15T13:38:31","date_gmt":"2014-04-15T11:38:31","guid":{"rendered":"http:\/\/www.artnroll.net\/home\/?p=4314"},"modified":"2014-10-13T09:46:31","modified_gmt":"2014-10-13T07:46:31","slug":"anette-olzon-shine","status":"publish","type":"post","link":"https:\/\/www.artnroll.net\/home\/?p=4314","title":{"rendered":"Anette Olzon – Shine"},"content":{"rendered":"

\"AnetteOlzon-Shine\"<\/a><\/p>\n

 <\/p>\n

Toutes p\u00e9riodes confondues, il existe bien une sp\u00e9cificit\u00e9 nordique en mati\u00e8re de confection musicale, en particulier pour la Pop (ABBA, Enya, Roxette, Neneh Cherry, Ace of Base, The Cardigans, Nu) et le Heavy Metal (Europe, Nightwish, Arch Enemy). En faisant ici abstraction des sous-cat\u00e9gories sp\u00e9cifiques que constituent le Black et le Viking Metal (artisanat r\u00e9gional pris\u00e9 dans le Monde entier), on constatera que lesdits nordiques appr\u00e9cient les productions solides, o\u00f9 les basses froides c\u00f4toient sans peine notes aig\u00fces et m\u00e9lodies sucr\u00e9es, o\u00f9 les synth\u00e9s Yamaha voisinent avec des sonorit\u00e9s plus traditionnelles. Un savoir-faire pour la fusion des contrastes en quelque sorte. La Scandinavie est \u00e9galement une r\u00e9gion du Monde o\u00f9 les femmes dirigent (relire la liste des groupes cit\u00e9s plus haut). Sans \u00eatre commun, le premier essai solo de la su\u00e9doise Anette Olzon est assez caract\u00e9ristique de ces gentils lieux. Sombre et claire \u00e0 la fois, la pochette donne le ton\u00a0du disque : regardant au ciel les bras en croix, Mademoiselle Olzon (de son pr\u00e9nom Anette) pose en tenue traditionnelle immacul\u00e9e dans un sous-bois en hiver. D\u00e9barqu\u00e9e de Nighwish et remplac\u00e9e par Floor Jansen il y a dix-sept mois, elle revient, seule, ce printemps avec les dix morceaux composant \u00ab\u00a0Shine\u00a0\u00bb. L\u2019\u00e9criture a \u00e9t\u00e9 entam\u00e9e d\u00e8s 2009, la production r\u00e9alis\u00e9e en collaboration avec Stefan \u00d6rn (le compositeur et producteur de la chanson gagnante de l\u2019Eurovision 2011) et le mixage effectu\u00e9 par Ronny Lahti (connu pour son travail avec Roxette). A priori<\/i>, le choix de ces personnes laisse supposer que l\u2019option Metal va \u00eatre remis\u00e9e au second plan par l\u2019ex-chanteuse \u00e0 fourreau noir. Et effectivement, les fans de Nighwish qui esp\u00e9raient des cavalcades symphoniques doubl\u00e9es de guitares ESP massives et de frappes Wagn\u00e9riennes seront probablement d\u00e9\u00e7us. Ceux qui, en revanche, appr\u00e9cient les ambiances glac\u00e9es et les arrangements tout en subtilit\u00e9 des finlandais ne le seront pas. De toutes fa\u00e7ons, et pour ces deux caract\u00e9ristiques, \u00ab\u00a0Shine\u00a0\u00bb aura toute sa place dans la discoth\u00e8que des fans de Metal symphonique, Metal Nordique, Metal gothique ou que sais-je encore, au Ragnar\u00f6k<\/i> les sous-divisions\u00a0! Anette Olsson les ignore, elle qui a commenc\u00e9 par le hautbois puis \u00e9tudi\u00e9 au Conservatoire de Copenhague avant de se lancer dans la Pop il y a plus de vingt ans. Les effets electro associ\u00e9s \u00e0 la section cordes du d\u00e9licat \u00ab\u00a0Like a show inside my Head\u00a0\u00bb, le premier morceau au tempo lent et \u00e0 l\u2019intro lumineuse, \u00e9voqueraient \u00ab\u00a0Joga\u00a0\u00bb de Bj\u00f6rk. \u00ab\u00a0Shine\u00a0\u00bb est un authentique morceau de rock FM \u00e0 grosse guitare bien produite (qui fait \u00ab\u00a0GR-gr-gr-gr-gr\u00a0\u00bb), lourde basse en mi et synth\u00e9s. Sans clich\u00e9 aucun, les envol\u00e9es lyriques de la chanson font un peu penser \u00e0 A-ha. Le cristallin \u00ab\u00a0Floating\u00a0\u00bb est Folk. Peut \u00eatre le meilleur morceau de l\u2019album, il convoque avec bonheur Kate Bush et Tori Amos. Anette Olzon partagerait d\u2019ailleurs avec elles une sensibilit\u00e9 pour les paroles \u00e0 tonalit\u00e9\u00a0 personnelle et intimiste, dans lesquelles elle chante son fils a\u00een\u00e9, sa famille, son divorce avec son \u00e9poux, voire celui d\u2019avec les membres de son pr\u00e9c\u00e9dent groupe, lesquels l\u2019avaient \u00e0 juste titre qualifi\u00e9e de \u00ab\u00a0conteuse\u00a0\u00bb. La balade \u00ab\u00a0Invicible\u00a0\u00bb rec\u00e8le en son milieu un fin solo de guitare Metal. \u00ab\u00a0Moving Away\u00a0\u00bb n\u2019en contient pas, mais est Metal Nordique dans l\u2019esprit, ritournelle pure o\u00f9 la voix d\u2019Anette Olzon nous transporte au Septentrion. \u00ab\u00a0One million faces\u00a0\u00bb est, quant \u00e0 elle, une autre balade \u00e0 piano classique et synth\u00e9. \u00ab\u00a0Watching me from Afar\u00a0\u00bb, qui parfait l\u2019album, est rythm\u00e9 par un l\u00e9ger tambour tribal. Avec ses arrangements d\u2019accord\u00e9on et de piano, il sonnerait presque celtique. Et pourtant, il semblerait que ses paroles fassent r\u00e9f\u00e9rence \u00e0 une r\u00e9gion et tribu de l\u2019Afrique de l\u2019Est, d\u2019o\u00f9 une \u00e9toile la regarderait. Plus classiques, les \u00e9piques et FM \u00ab\u00a0Lies\u00a0\u00bb, \u00ab\u00a0Hear me\u00a0\u00bb et \u00ab\u00a0Falling\u00a0\u00bb font parfois penser \u00e0 Evanescence. La prod\u2019 pens\u00e9e \u00ab\u00a0vari\u00e9t\u00e9 internationale\u00a0\u00bb pourra toutefois en rebuter certains. Mais, comme dit in limine<\/i>, le coh\u00e9rent propos d\u2019Anette Olzon s\u2019inscrit dans une d\u00e9marche musicale typiquement nordique, englobant et d\u00e9passant la stricte optique Hard Rock. A recommander, entre autres, \u00e0 tous ceux qui souhaiteraient que l\u2019hiver dure dix mois.<\/p>\n","protected":false},"excerpt":{"rendered":"

  Toutes p\u00e9riodes confondues, il existe bien une sp\u00e9cificit\u00e9 nordique en mati\u00e8re de confection musicale, en particulier pour la Pop (ABBA, Enya, Roxette, Neneh Cherry, Ace of Base, The Cardigans, Nu) et le Heavy Metal (Europe, Nightwish, Arch Enemy). En faisant ici abstraction des sous-cat\u00e9gories sp\u00e9cifiques que constituent le Black et le Viking Metal (artisanat r\u00e9gional pris\u00e9 dans le Monde entier), on constatera que lesdits nordiques appr\u00e9cient les productions solides, o\u00f9 les basses froides c\u00f4toient sans peine notes aig\u00fces et m\u00e9lodies sucr\u00e9es, o\u00f9 les synth\u00e9s Yamaha voisinent avec des sonorit\u00e9s plus traditionnelles. Un savoir-faire pour la fusion des contrastes en […]<\/p>\n","protected":false},"author":23,"featured_media":4316,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[6],"tags":[815,816],"class_list":["post-4314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques-cd","tag-anette-olzon","tag-shine"],"yoast_head":"\nAnette Olzon - Shine - Art'n'Roll Webzine<\/title>\n<meta name=\"description\" content=\"Chronique de l'album "Shine" d'Anette Olzon\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.artnroll.net\/home\/?p=4314\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anette Olzon - 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