{"id":36659,"date":"2025-08-06T16:30:15","date_gmt":"2025-08-06T14:30:15","guid":{"rendered":"https:\/\/www.artnroll.net\/home\/?p=36659"},"modified":"2025-08-06T16:30:15","modified_gmt":"2025-08-06T14:30:15","slug":"substitution-bring-her-back","status":"publish","type":"post","link":"https:\/\/www.artnroll.net\/home\/?p=36659","title":{"rendered":"SUBSTITUTION – BRING HER BACK"},"content":{"rendered":"

\"\"En 2022, les fr\u00e8res Philippou (qui, il faut le dire, ont un nom bien trop mignon pour faire de l\u2019horreur) ont impressionn\u00e9 leur petit monde avec leur premier film, La Main<\/em>, un film d\u2019horreur surnaturelle aux quelques images cauchemardesques. Personnellement, j\u2019ai trouv\u00e9 que c\u2019\u00e9tait un film sympathique, un peu surestim\u00e9, mais qui se d\u00e9fendait bien. Forts de ce succ\u00e8s, ils ont donc d\u00e9cid\u00e9 de retrousser leurs manches pour proposer un deuxi\u00e8me film bien plus m\u00e9chant, hardcore et psychologiquement \u00e9prouvant. Autant vous dire qu\u2019ils n\u2019ont pas fait semblant : ils signent l\u2019un des meilleurs films d\u2019horreur de l\u2019ann\u00e9e \u2014 voire m\u00eame un s\u00e9rieux concurrent au chef-d’\u0153uvre d\u2019Ari Aster, H\u00e9r\u00e9dit\u00e9<\/em> !<\/p>\n

Tout commence lorsqu\u2019un adolescent, Andy, au pass\u00e9 compliqu\u00e9, et sa petite s\u0153ur aveugle, Piper, doivent quitter le nid familial \u00e0 la suite du d\u00e9c\u00e8s de leur p\u00e8re. Ils sont alors h\u00e9berg\u00e9s par Laura, qui les accueille \u00e0 bras ouverts\u2026 surtout Piper. Tr\u00e8s vite, son comportement devient de plus en plus \u00e9nigmatique\u2026<\/p>\n

Je m\u2019arr\u00eate ici pour le synopsis, car il est vraiment important d\u2019en savoir le moins possible pour savourer pleinement le choc que Bring Her Back<\/em> vous r\u00e9serve. D\u00e9j\u00e0, l\u2019un des plus grands points forts du film, c\u2019est son casting solide et ses personnages. Le duo principal ressemble ENFIN \u00e0 de vrais adolescents, et non \u00e0 de jeunes adultes grim\u00e9s en ados. Mais c\u2019est surtout la fantastique Sally Hawkins (La Forme de l\u2019eau<\/em>, Godzilla 2014<\/em>), qui interpr\u00e8te une m\u00e8re de substitution \u00e0 la fois chaleureuse et inqui\u00e9tante, qui va litt\u00e9ralement crev\u00e9e l\u2019\u00e9cran. Un r\u00f4le tr\u00e8s complexe qu\u2019elle ma\u00eetrise parfaitement, d\u2019autant qu\u2019elle n\u2019est pas une habitu\u00e9e du genre. Je dirais m\u00eame que c\u2019est elle qui incarne le personnage le plus tiraill\u00e9, et donc le plus int\u00e9ressant. Petite mention sp\u00e9ciale \u00e9galement \u00e0 Sora Wong, qui incarne Piper \u2014 son tout premier r\u00f4le au cin\u00e9ma \u2014 et qui souffre r\u00e9ellement de malvoyance, ce qui donne une authenticit\u00e9 suppl\u00e9mentaire \u00e0 la production. Et je me dois de citer l\u2019interpr\u00e9tation compl\u00e8tement hallucinante de Jonah Wren Phillips qui, vu son jeune \u00e2ge, devra sans doute faire quelques s\u00e9ances de th\u00e9rapie, tant c\u2019est lui qui porte les sc\u00e8nes les plus d\u00e9rangeantes.<\/p>\n

Autre atout majeur du film : son ambiance angoissante et oppressante, renforc\u00e9e par une atmosph\u00e8re moite. C\u2019est bien simple : il pleut tout le temps. La pluie s\u2019infiltre partout, tout est humide, tremp\u00e9, comme si elle \u00e9tait elle-m\u00eame un personnage du r\u00e9cit. Et surtout, la mort plane sur tout le film. Pr\u00e9sente d\u00e8s l\u2019introduction, elle suit les personnages de pr\u00e8s, impossible de s\u2019en d\u00e9barrasser, notamment au travers des th\u00e8mes abord\u00e9s : la violence familiale, la maltraitance, et surtout le deuil \u2014 ou plut\u00f4t l\u2019incapacit\u00e9 \u00e0 faire son deuil, \u00e0 rester bloqu\u00e9 dans le pass\u00e9. Le film regorge de symboles, notamment un cercle r\u00e9current, qui peut avoir plusieurs interpr\u00e9tations, ainsi qu\u2019un parall\u00e8le avec les yeux. Et quand on sait que les yeux sont les miroirs de l\u2019\u00e2me\u2026 disons simplement que cela donne encore plus de mati\u00e8re \u00e0 r\u00e9flexion. Mais chut, pas de spoiler !<\/p>\n

Les fr\u00e8res Philippou font \u00e9galement appel \u00e0 la body horror pour nous la balancer en pleine face, notamment \u00e0 travers une sc\u00e8ne centrale qui en retournera plus d\u2019un. On n\u2019est pas dans de la mutation fa\u00e7on Cronenberg, mais plut\u00f4t dans les s\u00e9vices et l\u2019automutilation. Rien n\u2019est \u00e9pargn\u00e9, tout est montr\u00e9, avec une cruaut\u00e9 et un sadisme extr\u00eamement visuels, port\u00e9s par le travail formidable des maquilleurs. Les r\u00e9alisateurs ont trouv\u00e9 le parfait \u00e9quilibre entre l\u2019envie de d\u00e9tourner les yeux\u2026 et celle de continuer \u00e0 regarder, pris dans un voyeurisme morbide. Par ailleurs, le film int\u00e8gre quelques sc\u00e8nes en found footage au rendu VHS ab\u00eem\u00e9, qui viennent enrichir le lore sans casser le rythme, tout en ajoutant une nouvelle couche d\u2019angoisse fascinante.<\/p>\n

Au final, Bring Her Back<\/em> est sans conteste l\u2019un des meilleurs films d\u2019horreur de l\u2019ann\u00e9e (jusqu\u2019\u00e0 pr\u00e9sent), gr\u00e2ce \u00e0 son ambiance travaill\u00e9e, ses personnages riches et complexes, ses s\u00e9quences violentes et douloureuses, et les multiples th\u00e8mes qu\u2019il aborde : la mort, le deuil, la douleur psychologique\u2026 Le tout est port\u00e9 par une mise en sc\u00e8ne efficace, qui sait prendre son temps sans jamais ennuyer, pour mieux nous exploser \u00e0 la figure. En tout cas, retenez bien leur nom, car s\u2019ils continuent sur cette lanc\u00e9e, les fr\u00e8res Philippou sont bien partis pour devenir de tr\u00e8s grands noms de l\u2019horreur.<\/p>\n","protected":false},"excerpt":{"rendered":"

En 2022, les fr\u00e8res Philippou (qui, il faut le dire, ont un nom bien trop mignon pour faire de l\u2019horreur) ont impressionn\u00e9 leur petit monde avec leur premier film, La Main, un film d\u2019horreur surnaturelle aux quelques images cauchemardesques. Personnellement, j\u2019ai trouv\u00e9 que c\u2019\u00e9tait un film sympathique, un peu surestim\u00e9, mais qui se d\u00e9fendait bien. Forts de ce succ\u00e8s, ils ont donc d\u00e9cid\u00e9 de retrousser leurs manches pour proposer un deuxi\u00e8me film bien plus m\u00e9chant, hardcore et psychologiquement \u00e9prouvant. Autant vous dire qu\u2019ils n\u2019ont pas fait semblant : ils signent l\u2019un des meilleurs films d\u2019horreur de l\u2019ann\u00e9e \u2014 voire m\u00eame […]<\/p>\n","protected":false},"author":60,"featured_media":36661,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[9],"tags":[2454,2436,2437],"class_list":["post-36659","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-zone","tag-art-zone","tag-cinema","tag-horreur"],"yoast_head":"\nSUBSTITUTION - BRING HER BACK - Art'n'Roll Webzine<\/title>\n<meta name=\"description\" content=\"Chronique du film Substitution-Bring Her Back\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.artnroll.net\/home\/?p=36659\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SUBSTITUTION - BRING HER BACK - Art'n'Roll Webzine\" \/>\n<meta property=\"og:description\" content=\"Chronique du film Substitution-Bring Her Back\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.artnroll.net\/home\/?p=36659\" \/>\n<meta property=\"og:site_name\" content=\"Art'n'Roll Webzine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/artnroll.net\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-08-06T14:30:15+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.artnroll.net\/home\/wp-content\/uploads\/2025\/08\/U0_A4z_Wh6_Xb_Jt1j_DA_Pu_Gq_Kcu4ga_cf442b0b91.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"720\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"Kaminski\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Kaminski\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.artnroll.net\/home\/?p=36659\",\"url\":\"https:\/\/www.artnroll.net\/home\/?p=36659\",\"name\":\"SUBSTITUTION - BRING HER BACK - Art'n'Roll Webzine\",\"isPartOf\":{\"@id\":\"https:\/\/www.artnroll.net\/home\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.artnroll.net\/home\/?p=36659#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.artnroll.net\/home\/?p=36659#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.artnroll.net\/home\/wp-content\/uploads\/2025\/08\/U0_A4z_Wh6_Xb_Jt1j_DA_Pu_Gq_Kcu4ga_cf442b0b91.webp\",\"datePublished\":\"2025-08-06T14:30:15+00:00\",\"dateModified\":\"2025-08-06T14:30:15+00:00\",\"author\":{\"@id\":\"https:\/\/www.artnroll.net\/home\/#\/schema\/person\/f605a4e99d901076f8f917c85aef77e6\"},\"description\":\"Chronique du film Substitution-Bring Her Back\",\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.artnroll.net\/home\/?p=36659\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/www.artnroll.net\/home\/?p=36659#primaryimage\",\"url\":\"https:\/\/www.artnroll.net\/home\/wp-content\/uploads\/2025\/08\/U0_A4z_Wh6_Xb_Jt1j_DA_Pu_Gq_Kcu4ga_cf442b0b91.webp\",\"contentUrl\":\"https:\/\/www.artnroll.net\/home\/wp-content\/uploads\/2025\/08\/U0_A4z_Wh6_Xb_Jt1j_DA_Pu_Gq_Kcu4ga_cf442b0b91.webp\",\"width\":1280,\"height\":720},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.artnroll.net\/home\/#website\",\"url\":\"https:\/\/www.artnroll.net\/home\/\",\"name\":\"Art'n'Roll Webzine\",\"description\":\"Webzine on the Rocks\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.artnroll.net\/home\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.artnroll.net\/home\/#\/schema\/person\/f605a4e99d901076f8f917c85aef77e6\",\"name\":\"Kaminski\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/www.artnroll.net\/home\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/7b0a5fdb2db35f8678121192e211064c30d4593c72a6c30cc0e123b10e66f822?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/7b0a5fdb2db35f8678121192e211064c30d4593c72a6c30cc0e123b10e66f822?s=96&d=mm&r=g\",\"caption\":\"Kaminski\"},\"url\":\"https:\/\/www.artnroll.net\/home\/?author=60\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"SUBSTITUTION - BRING HER BACK - Art'n'Roll Webzine","description":"Chronique du film Substitution-Bring Her Back","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.artnroll.net\/home\/?p=36659","og_locale":"fr_FR","og_type":"article","og_title":"SUBSTITUTION - BRING HER BACK - Art'n'Roll Webzine","og_description":"Chronique du film Substitution-Bring Her Back","og_url":"https:\/\/www.artnroll.net\/home\/?p=36659","og_site_name":"Art'n'Roll Webzine","article_publisher":"https:\/\/www.facebook.com\/artnroll.net\/","article_published_time":"2025-08-06T14:30:15+00:00","og_image":[{"width":1280,"height":720,"url":"https:\/\/www.artnroll.net\/home\/wp-content\/uploads\/2025\/08\/U0_A4z_Wh6_Xb_Jt1j_DA_Pu_Gq_Kcu4ga_cf442b0b91.webp","type":"image\/webp"}],"author":"Kaminski","twitter_misc":{"\u00c9crit par":"Kaminski","Dur\u00e9e de lecture estim\u00e9e":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.artnroll.net\/home\/?p=36659","url":"https:\/\/www.artnroll.net\/home\/?p=36659","name":"SUBSTITUTION - BRING HER BACK - Art'n'Roll Webzine","isPartOf":{"@id":"https:\/\/www.artnroll.net\/home\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.artnroll.net\/home\/?p=36659#primaryimage"},"image":{"@id":"https:\/\/www.artnroll.net\/home\/?p=36659#primaryimage"},"thumbnailUrl":"https:\/\/www.artnroll.net\/home\/wp-content\/uploads\/2025\/08\/U0_A4z_Wh6_Xb_Jt1j_DA_Pu_Gq_Kcu4ga_cf442b0b91.webp","datePublished":"2025-08-06T14:30:15+00:00","dateModified":"2025-08-06T14:30:15+00:00","author":{"@id":"https:\/\/www.artnroll.net\/home\/#\/schema\/person\/f605a4e99d901076f8f917c85aef77e6"},"description":"Chronique du film Substitution-Bring Her Back","inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.artnroll.net\/home\/?p=36659"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/www.artnroll.net\/home\/?p=36659#primaryimage","url":"https:\/\/www.artnroll.net\/home\/wp-content\/uploads\/2025\/08\/U0_A4z_Wh6_Xb_Jt1j_DA_Pu_Gq_Kcu4ga_cf442b0b91.webp","contentUrl":"https:\/\/www.artnroll.net\/home\/wp-content\/uploads\/2025\/08\/U0_A4z_Wh6_Xb_Jt1j_DA_Pu_Gq_Kcu4ga_cf442b0b91.webp","width":1280,"height":720},{"@type":"WebSite","@id":"https:\/\/www.artnroll.net\/home\/#website","url":"https:\/\/www.artnroll.net\/home\/","name":"Art'n'Roll Webzine","description":"Webzine on the Rocks","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.artnroll.net\/home\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Person","@id":"https:\/\/www.artnroll.net\/home\/#\/schema\/person\/f605a4e99d901076f8f917c85aef77e6","name":"Kaminski","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/www.artnroll.net\/home\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/7b0a5fdb2db35f8678121192e211064c30d4593c72a6c30cc0e123b10e66f822?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/7b0a5fdb2db35f8678121192e211064c30d4593c72a6c30cc0e123b10e66f822?s=96&d=mm&r=g","caption":"Kaminski"},"url":"https:\/\/www.artnroll.net\/home\/?author=60"}]}},"_links":{"self":[{"href":"https:\/\/www.artnroll.net\/home\/index.php?rest_route=\/wp\/v2\/posts\/36659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artnroll.net\/home\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artnroll.net\/home\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artnroll.net\/home\/index.php?rest_route=\/wp\/v2\/users\/60"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artnroll.net\/home\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=36659"}],"version-history":[{"count":1,"href":"https:\/\/www.artnroll.net\/home\/index.php?rest_route=\/wp\/v2\/posts\/36659\/revisions"}],"predecessor-version":[{"id":36662,"href":"https:\/\/www.artnroll.net\/home\/index.php?rest_route=\/wp\/v2\/posts\/36659\/revisions\/36662"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artnroll.net\/home\/index.php?rest_route=\/wp\/v2\/media\/36661"}],"wp:attachment":[{"href":"https:\/\/www.artnroll.net\/home\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=36659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artnroll.net\/home\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=36659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artnroll.net\/home\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=36659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}