{"id":20193,"date":"2020-02-14T11:38:36","date_gmt":"2020-02-14T10:38:36","guid":{"rendered":"http:\/\/www.artnroll.net\/home\/?p=20193"},"modified":"2020-02-14T13:27:13","modified_gmt":"2020-02-14T12:27:13","slug":"kreator-london-apocalypticon-live-at-the-roundhouse","status":"publish","type":"post","link":"https:\/\/www.artnroll.net\/home\/?p=20193","title":{"rendered":"Chronique de London Apocalypticon, Live at the Roundhouse &#8211; Kreator"},"content":{"rendered":"<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-20194\" src=\"http:\/\/www.artnroll.net\/home\/wp-content\/uploads\/2020\/02\/Kreator-London-Apocalypticon-Live-at-the-Roundhouse-Artwork-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.artnroll.net\/home\/wp-content\/uploads\/2020\/02\/Kreator-London-Apocalypticon-Live-at-the-Roundhouse-Artwork-300x300.jpg 300w, https:\/\/www.artnroll.net\/home\/wp-content\/uploads\/2020\/02\/Kreator-London-Apocalypticon-Live-at-the-Roundhouse-Artwork-600x600.jpg 600w, https:\/\/www.artnroll.net\/home\/wp-content\/uploads\/2020\/02\/Kreator-London-Apocalypticon-Live-at-the-Roundhouse-Artwork-150x150.jpg 150w, https:\/\/www.artnroll.net\/home\/wp-content\/uploads\/2020\/02\/Kreator-London-Apocalypticon-Live-at-the-Roundhouse-Artwork-768x768.jpg 768w, https:\/\/www.artnroll.net\/home\/wp-content\/uploads\/2020\/02\/Kreator-London-Apocalypticon-Live-at-the-Roundhouse-Artwork.jpg 1417w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Groupe:<\/strong> Kreator<br \/>\n<strong>Album:<\/strong> London Apocalypticon \u2013 Live at the Roundhouse<br \/>\n<strong>Label:<\/strong> Nuclear Blast<br \/>\n<strong>Sortie le:<\/strong> 14 f\u00e9vrier 2020<br \/>\n<strong>Note:<\/strong>\u00a017\/20<\/p>\n<p style=\"text-align: justify;\">\u00ab\u00a0Battre le fer quand il est chaud\u00a0\u00bb, un adage du XVIe si\u00e8cle, dont l\u2019ant\u00e9riorit\u00e9 remonterait \u00e0 Plaute, traduite en Allemand par \u00ab\u00a0Man muss das Eisen schmieden, solange es hei\u00df ist\u00a0\u00bb. Et dont le bon sens n\u2019a pas \u00e9chapp\u00e9 \u00e0 <span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.facebook.com\/KreatorOfficial\/\">Kreator<\/a><\/strong><\/span>. <strong><em>Gods of violence<\/em><\/strong>, leur dernier album studio, sans conteste le meilleur de l\u2019\u00e9poque r\u00e9cente des quatre du Ruhrpott, les a fait caracoler en t\u00eate (m\u00eame si la notion de concurrence est souvent relative voire inop\u00e9rante dans ce milieu\u2026) du Big 4 du Thrash Metal Outre-Rhin (\u00e9galement et pour m\u00e9moire compos\u00e9 par Sodom, Destruction et Tankard). Une m\u00e9morable tourn\u00e9e mondiale s\u2019\u00e9tait ensuivie, avec passage au Bataclan en f\u00e9vrier 2017 (Sepultura, autre formation en pleine forme, en guise de premi\u00e8re partie), une t\u00eate d\u2019affiche de la Mainstage 2 du Hellfest le samedi soir, ainsi que des monceaux de serpentins d\u00e9vers\u00e9s sur les occiputs des spectatrices et tateurs. Mile Petrozza, notre Vegan favori, avait r\u00e9sum\u00e9 avec enthousiasme la situation : \u00ab\u00a0Diese Tournee war die erfolgreichste unserer gesamten Geschichte\u00a0\u00bb\u00a0! Ce tour de force s\u2019\u00e9tait achev\u00e9 le 16 d\u00e9cembre 2018 par une prestation \u00e0 l\u2019iconique Roundhouse de Londres, salle de spectacles officiellement class\u00e9e monument historique. Le dernier acte avec Christian \u00ab\u00a0Speesy\u00a0\u00bb Giesler, leur bassiste depuis 1994. Et c\u2019est ce concert que Petrozza et les siens publient ce jour de la Saint-Valentin 2020, en offrande \u00e0 tous les amoureux du Thrash Metal.<\/p>\n<p style=\"text-align: justify;\">Puisque Kreator officie depuis trente-huit ans d\u00e9j\u00e0 et quatorze albums, et que leur ultime disque constituait une r\u00e9ussite tant artistique que commerciale, c\u2019est bien logiquement que la setlist des treize morceaux (augment\u00e9e de quatre instrumentaux) restitue tant les classiques (\u00ab\u00a0<em>Flag of Hate<\/em>\u00a0\u00bb\u00a0; \u00ab\u00a0<em>Pleasure to Kill\u00a0<\/em>\u00bb\u00a0; \u00ab\u00a0<em>Awakening of the Gods\u00a0<\/em>\u00bb\u00a0; \u00ab<em>\u00a0People of the Lie<\/em>\u00a0\u00bb) que quatre nouveaut\u00e9s provenant de <strong><em>Gods of Violence<\/em><\/strong> (\u00ab\u00a0<em>Hail to the Hordes<\/em>\u00a0\u00bb\u00a0; \u00ab\u00a0<em>Gods of Violence\u00a0<\/em>\u00bb\u00a0; \u00ab<em>\u00a0Satan Is Real\u00a0<\/em>\u00bb\u00a0; \u00ab\u00a0<em>Fallen Brother<\/em>\u00a0\u00bb, d\u00e9di\u00e9 avec solennit\u00e9 \u00e0 Vinnie Paul, Dimebag Darrell, Fast Eddie Clarke, Philty et Lemmy\u2026). En d\u00e9pit du fait que les brillants \u00ab\u00a0<em>World War Now\u00a0<\/em>\u00bb ou \u00ab<em>\u00a0Totalitarian Terror<\/em>\u00a0\u00bb soient pass\u00e9s \u00e0 la trappe\u00a0; et qu\u2019il n\u2019y a pas non plus de titres extraits des classiques <strong><em>Terrible Certainty<\/em><\/strong> et <strong><em>Extreme Agression<\/em><\/strong> de 1987 et 1989. Inutile de m\u00e9gotter\u00a0pourtant : <strong><em>London Apocalypticon<\/em><\/strong> est un album live de tr\u00e8s grande classe, le son est colossal, la ma\u00eetrise instrumentale optimale, et Mile Petrozza semble cavaler apr\u00e8s ses propres mots \u00e0 chaque phrase\u2026 lorsqu\u2019il ne braille pas tel un poissonnier quand il discourt entre chaque chanson (il va finir cardiaque comme de Fun\u00e8s\u2026). Titres d\u2019hier et d\u2019aujourd\u2019hui se rejoignent dans ce Maelstrom sonique. A recommander \u00e0 tout n\u00e9ophyte. Ap\u00e9ritif obligatoire \u00e0 destination des initi\u00e9s, lesquels ont d\u00e9j\u00e0 leur billet pour l\u2019Olympia le 17 avril prochain, le premier concert fran\u00e7ais avec notre compatriote Fr\u00e9d\u00e9ric Leclerc \u00e0 la basse.<\/p>\n<p style=\"text-align: justify;\">Facebook: <a href=\"https:\/\/www.facebook.com\/KreatorOfficial\/\">https:\/\/www.facebook.com\/KreatorOfficial\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Groupe: Kreator Album: London Apocalypticon \u2013 Live at the Roundhouse Label: Nuclear Blast Sortie le: 14 f\u00e9vrier 2020 Note:\u00a017\/20 \u00ab\u00a0Battre le fer quand il est chaud\u00a0\u00bb, un adage du XVIe si\u00e8cle, dont l\u2019ant\u00e9riorit\u00e9 remonterait \u00e0 Plaute, traduite en Allemand par \u00ab\u00a0Man muss das Eisen schmieden, solange es hei\u00df ist\u00a0\u00bb. Et dont le bon sens n\u2019a pas \u00e9chapp\u00e9 \u00e0 Kreator. Gods of violence, leur dernier album studio, sans conteste le meilleur de l\u2019\u00e9poque r\u00e9cente des quatre du Ruhrpott, les a fait caracoler en t\u00eate (m\u00eame si la notion de concurrence est souvent relative voire inop\u00e9rante dans ce milieu\u2026) du Big [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":20194,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[6],"tags":[134],"class_list":["post-20193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques-cd","tag-kreator"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Chronique de London Apocalypticon, Live at the Roundhouse - Kreator - Art&#039;n&#039;Roll Webzine<\/title>\n<meta name=\"description\" content=\"Chronique du live &quot;London Apocalypticon \u2013 Live at the Roundhouse&quot; de Kreator, sorti le 14 fevrier 2020 chez Nuclear Blast\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.artnroll.net\/home\/?p=20193\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Chronique de London Apocalypticon, Live at the Roundhouse - 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