{"id":1932,"date":"2013-04-20T15:03:27","date_gmt":"2013-04-20T13:03:27","guid":{"rendered":"http:\/\/www.artnroll.net\/home\/?p=1932"},"modified":"2013-04-20T15:56:37","modified_gmt":"2013-04-20T13:56:37","slug":"a-pale-horse-named-death-and-hell-will-follow-me","status":"publish","type":"post","link":"https:\/\/www.artnroll.net\/home\/?p=1932","title":{"rendered":"A Pale Horse Named Death –> And Hell Will Follow Me"},"content":{"rendered":"

\"And_Hell\"<\/a>Bonjour \u00e0 TOI<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Aujourd\u2019hui, au menu, je te propose du cheval\u00a0!<\/p>\n

Et pas n\u2019importe lequel\u00a0: A Pale Horse Named Death<\/b><\/p>\n

Du caract\u00e8re, de la hargne, de la violence int\u00e9rieure mais aussi de l\u2019amour un tantinet sombre.<\/p>\n

Car APHND<\/b> est un concentr\u00e9, pur, d\u2019\u00e9motions.<\/p>\n

Derri\u00e8re ce nom, un seul homme (et pas des moindres)\u00a0: Sal Abruscato<\/b><\/p>\n

LE Sal Abruscato<\/b>, premier batteur de Type O Negative<\/b> mais aussi batteur de Life Of Agony<\/b>\u00a0!<\/p>\n

Deux groupes uniques en leur genre.<\/p>\n

APHND<\/b> est le groupe de Sal Abruscato<\/b> & Matt Brown<\/b> (Seventh Void<\/b>) se situant entre du M\u00e9tal Gothique & du Loud Rock voire Doom.<\/p>\n

Je retrouve donc, dans leur musique, un mix r\u00e9ussi ressemblant, par court instant, \u00e0 du Alice In Chains<\/b>, Paradise Lost<\/b>, ou encore Type O Negative<\/b>.<\/p>\n

APHND<\/b> est une musique organique v\u00e9hiculant des sentiments profonds. Si tu es en pleine phase de d\u00e9pression nerveuse\u00a0: c\u2019est \u00e0 double tranchant. A tes risques & p\u00e9rils. Je t\u2019ai pr\u00e9venu mais tu sens que tu vas aimer cela.<\/p>\n

Nous ne pouvons rester insensibles face \u00e0 cet opus\u00a0qu\u2019est\u00a0:<\/p>\n

 <\/p>\n

And Hell Will Follow Me [53.37 mn \u2013 2011 \u2013 SPV America]<\/span><\/b><\/p>\n

 <\/p>\n

1. And Hell Will Follow Me <\/span><\/b>[0.58 mn]<\/p>\n

Au loin galope un cheval, rendu fou, par\u2026 La folie<\/p>\n

2. As Black As My Heart * <\/span><\/b>[4.33 mn]<\/p>\n

La batterie ouvre ce morceau, pattern sobre mais efficace, des guitares lourdes avec un arp\u00e9ge lancinant puis, soudain, la voix de Sal : Serait il le fruit d\u2019une union vocale entre Nick Holmes<\/b> (Paradise Lost<\/b>) & Peter Steele<\/b> (TON<\/b>) n\u2019en gardant que le meilleur des deux\u00a0? Sal a LA voix qui sied parfaitement au style choisi.<\/p>\n

Ce morceau est lourd, avec un solo bien pos\u00e9. Et les paroles imposent, avec subtilit\u00e9, la th\u00e9matique\u00a0: La d\u00e9pression \u00ab Nothing as black as my heart<\/i> \u00bb.<\/p>\n

Un des moments \u00e9piques\u00a0: 3m31\u00a0! C\u2019est lourd, la voix crie de tous les c\u00f4t\u00e9s, les guitares sont dantesques et la batterie cogne\u2026comme lors du jugement dernier<\/p>\n

03. To Die In Your Arms ** <\/span><\/b>[3.36 mn]<\/p>\n

LE morceau phare avec Le riff impeccable, la rythmique tranchante & LA voix\u00a0! Ce morceau peut tourner en boucle tant je ne m\u2019en lasse pas. Un c\u00f4t\u00e9 sado maso au creux de ces paroles sombres sur lesquelles s\u2019insinue doucement cette lourdeur qu\u2019 APHND<\/b> affectionne\u00a0: Ce morceau est une perle\u00a0!<\/p>\n

Mon coup de coeur<\/span><\/i><\/p>\n

04. Heroin Train <\/span><\/b>[3.10 mn]<\/p>\n

Riff massique, batterie rapide puis rupture\u00a0: Embarquement dans un bad trip colossal.<\/p>\n

La guitare lead ponctue, avec de simplistes ornements, cette chanson, et lui donne, un c\u00f4t\u00e9 plus l\u00e9ger avant de lui offrir LE solo\u00a0! Je suis agr\u00e9ablement surpris.<\/p>\n

05. Devil In Closet ** <\/span><\/b>[3.42 mn]<\/p>\n

Second morceau phare\u00a0! Ultra trippant\u00a0!<\/p>\n

Avec cette oppressante texture sonore, Sal a r\u00e9ussi \u00e0 me replonger dans cette impression de malaise pr\u00e9sente quand on perd pied\u00a0: \u00abMy nightmares become real : Devil in the closet lives<\/i> \u00bb<\/p>\n

Ce morceau symbole la v\u00e9racit\u00e9 du son mastodonesque d\u2019 APHND<\/b>\u00a0: C\u2019est aussi lourd que certains breaks de TON<\/b>. Et, \u00e9tant un fanatique de la lourdeur, je ne peux que jubiler\u00a0!<\/p>\n

06. Crack In The Walls ** <\/span><\/b>[5.41 mn]<\/p>\n

Troisi\u00e8me morceau phare ! Glauque… Merveilleux…<\/p>\n

Rarement un album m\u2019a touch\u00e9 aux tr\u00e9fonds de mon \u00eatre. Layne Staley<\/b> aurait pu poser sa voix. Dans la lign\u00e9e d\u2019AIC<\/b>\u00a0! \u00ab\u00a0God, won’t you kill me<\/i>\u00a0\u00bb<\/p>\n

Du d\u00e9but \u00e0 la fin\u00a0: une parfaite ma\u00eetrise. Au d\u00e9but, j\u2019avan\u00e7ais, dans cet album, \u00e0 t\u00e2tons puis j\u2019ai vite l\u00e2ch\u00e9 prise\u00a0: \u00ab\u00a0c\u2019est \u00e0 travers la souffrance que na\u00eet le plaisir\u00a0\u00bb (Maxime de Pinhead)<\/p>\n

 <\/p>\n

07. Bad Dream <\/span><\/b>[2.06 mn]<\/p>\n

Un cri, du vent, des bruits d\u00e9rangeants, une voiture\u00a0: Instrumental malsain savoureux<\/i><\/p>\n

Des guitares lourdes s\u2019accordant, se d\u00e9saccordant avec une section rythmique lourde.<\/p>\n

08. Bath In My Blood <\/span><\/b>[2.26 mn]<\/p>\n

Folie meurtri\u00e8re\u2026 Un morceau un chou\u00efa en dessous de ceux qui constituent la premi\u00e8re partie de l\u2019album mais qui est riche par le biais de son contexte (Paroles).<\/p>\n

09. Pill Head * <\/span><\/b>[5.39 mn]<\/p>\n

D\u00e9primante lourdeur\u2026 \u201ceveryday i wake up and grab myself a handful of pills<\/i>\u201d<\/p>\n

Peter Steele<\/b> accompagne, d\u2019outre tombe, Sal<\/b>\u00a0: sublime\u00a0!<\/p>\n

2.26 mn\u2026 Ce passage, original, m\u2019a bien fait \u00ab\u00a0planer\u00a0\u00bb comme le sous-entends\u00a0:<\/p>\n

\u00ab won’t you take a ride with me\u00a0 ? we’ll take my special rocket ship and fly when we get high <\/i>\u00bb<\/p>\n

10. Meet The Wolf <\/span><\/b>[5.27 mn]<\/p>\n

Lente, salace, sadique… Sal le loup aimerait go\u00fbter au petit chaperon rouge & lui fait savoir sans une once de tact car \u00ab\u00a0qui aime bien ch\u00e2tie bien\u00a0\u00bb\u00a0: \u00ab\u00a0let me come between your thighs<\/i>\u00a0\u00bb<\/p>\n

Surprenante ballade dense & addictive\u2026 \u00ab\u00a0I know your addicted<\/i>\u00a0\u00bb<\/p>\n

Morceau choisi\u00a0: 3.09 mn<\/p>\n

11. Serial killer *<\/span><\/b> [4.38 mn]<\/p>\n

Ce morceau est assez singulier. Une rupture int\u00e9ressante \u00e0 1.19 mn puis une atmosph\u00e8re \u00e0 partir de 2.44 mn<\/p>\n

Tu le comprendras \u00e0 l\u2019\u00e9coute\u2026 \u00ab\u00a0What a pleasure it was to see you take your last breath<\/i>\u00a0\u00bb<\/p>\n

12. When Crows Descend Upon * <\/span><\/b>[4.11 mn]<\/p>\n

Une belle claque\u00a0! Encore une fois je suis surpris par le travail vocal (et par sa tessiture).<\/p>\n

Un clavier m\u00e9lodieux sur une section rythmique riche. Je retrouve la qualit\u00e9 de la premi\u00e8re partie de ce premier album.\u00a0\u00ab\u00a0Time stands for no one<\/i>\u00a0\u00bb<\/p>\n

13. Die Alone ** <\/span><\/b>[7.35 mn]<\/b><\/p>\n

Derni\u00e8re chanson\u2026 Et dernier single<\/p>\n

\u00ab\u00a0My life has fallen apart so many times I lost count<\/i>\u00a0\u00bb<\/p>\n

Enti\u00e8re, profonde, singuli\u00e8re, faite de chair\/sang\/sentiment, m\u00e9lancolique\u2026<\/p>\n

Une parfaite fa\u00e7on de terminer en beaut\u00e9 ce premier album\u2026<\/p>\n

5.16 mn\u00a0: Solo de saxophone<\/p>\n

 <\/p>\n

Conclusion\u00a0:<\/span><\/b><\/p>\n

Un premier album magnifique que j\u2019ai \u00e9cout\u00e9 plus d\u2019une dizaine de fois pour cette chronique tant chaque \u00e9coute me procure du plaisir tout en permettant de d\u00e9couvrir la richesse de cet opus.<\/p>\n

Il est vrai que la comparaison avec TON<\/b> appara\u00eet logique mais \u00e7a ne serait que r\u00e9ducteur vis-\u00e0-vis d\u2019APHND<\/b> qui a son identit\u00e9 propre et sa signature sonore. Merci Sal<\/b> & Matt<\/b><\/span><\/p>\n

Je te le recommande fortement<\/p>\n

Sans *\u00a0: correct<\/p>\n

*\u00a0: sympathique<\/p>\n

**\u00a0perle<\/p>\n

 <\/p>\n

Jackskarma<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

Bonjour \u00e0 TOI \u00a0 Aujourd\u2019hui, au menu, je te propose du cheval\u00a0! Et pas n\u2019importe lequel\u00a0: A Pale Horse Named Death Du caract\u00e8re, de la hargne, de la violence int\u00e9rieure mais aussi de l\u2019amour un tantinet sombre. Car APHND est un concentr\u00e9, pur, d\u2019\u00e9motions. Derri\u00e8re ce nom, un seul homme (et pas des moindres)\u00a0: Sal Abruscato LE Sal Abruscato, premier batteur de Type O Negative mais aussi batteur de Life Of Agony\u00a0! Deux groupes uniques en leur genre. APHND est le groupe de Sal Abruscato & Matt Brown (Seventh Void) se situant entre du M\u00e9tal Gothique & du Loud Rock […]<\/p>\n","protected":false},"author":10,"featured_media":1933,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[6],"tags":[549,550],"class_list":["post-1932","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques-cd","tag-a-pale-horse-named-death","tag-and-hell-will-follow-me"],"yoast_head":"\nA Pale Horse Named Death -> And Hell Will Follow Me - Art'n'Roll Webzine<\/title>\n<meta name=\"description\" content=\"A Pale Horse Named Death\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.artnroll.net\/home\/?p=1932\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Pale Horse Named Death -> And Hell Will Follow Me - 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